Notes of a Native Son
|Series:||Penguin Modern Classics Ser.|
In an age of Black Lives Matter, James Baldwin's essays on life in Harlem, the protest novel, movies, and African Americans abroad are as powerful today as when they were first written. With documentaries like I Am Not Your Negro bringing renewed interest to Baldwin's life and work, Notes of a Native Son serves as a valuable introduction.Written during the 1940s and early 1950s, when Baldwin was only in his twenties, the essays collected in Notes of a Native Son capture a view of black life and black thought at the dawn of the civil rights movement and as the movement slowly gained strength through the words of one of the most captivating essayists and foremost intellectuals of that era. Writing as an artist, activist, and social critic, Baldwin probes the complex condition of being black in America. With a keen eye, he examines everything from the significance of the protest novel to the motives and circumstances of the many black expatriates of the time, from his home in "The Harlem Ghetto" to a sobering "Journey to Atlanta." Notes of a Native Soninaugurated Baldwin as one of the leading interpreters of the dramatic social changes erupting in the United States in the twentieth century, and many of his observations have proven almost prophetic. His criticism on topics such as the paternalism of white progressives or on his own friend Richard Wright?s work is pointed and unabashed. He was also one of the few writing on race at the time who addressed the issue with a powerful mixture of outrage at the gross physical and political violence against black citizens and measured understanding of their oppressors, which helped awaken a white audience to the injustices under their noses. Naturally, this combination of brazen criticism and unconventional empathy for white readers won Baldwin as much condemnation as praise. Notesis the book that established Baldwin?s voice as a social critic, and it remains one of his most admired works. The essays collected here create a cohesive sketch of black America and reveal an intimate portrait of Baldwin?s own search for identity as an artist, as a black man, and as an American.
A straight-from-the-shoulder writer, writing about the troubled problems of this troubled earth with an illuminating intensity that should influence for the better all who ponder on the things books say -- Langston Hughes * The New York Times * Edgy and provocative . . . entertainingly satirical -- Robert McCrum * Guardian * A classic . . . Take the words out of the 1950s, when they were published, and they could apply to the women in pink hats, the scientists, the Black Lives Matter activists, the climate-change believers and the LGBTQ-rights supporters who have flooded the streets of Washington this year * Washington Post *
Born in Harlem in 1924, James Baldwin was a novelist, essayist, play-wright, poet, social critic, and the author of more than twenty books. His first novel, Go Tell It on the Mountain, appeared in 1953 to excellent reviews, and his essay col-lection The Fire Next Time was a bestseller that made him an influential figure in the civil rights movement. Baldwin spent many years in France, where he moved to escape the racism and homophobia of the United States. He died in 1987.